Art & Healing: Mind FieldsSeptember 27, 2007—January 5, 2008 (Main Gallery)Spectrum ArtWorksOverview Amey Audrey Bernard Andrew Braunberger Faye Buffington Howell Cornelius Day Christi Furnas Ernie Grossbach Lynnda Jones Jude Mostek Brad Parsons Rosemary Kathy Shafer Spectrum ArtWorkswww.artworksatspectrum.orgSpectrum ArtWorks is a non-profit visual art organization in the heart of Minneapolis that provides studio space and community for artists living with a mental illness. In addition to producing amazing art, Spectrum ArtWorks artists work to educate the public about mental illness and in doing so break down the stigma associated with the disease. Artists are often asked to explain and excuse themselves. A black artist, a woman artist, a gay artist…If an artist is not a straight white man then their identity (their little box, their label) is often presumed to be what their art is about. Artists living with a mental illness are often faced with issues of identity beyond what other artists belonging to other marginalized groups must face due in part to societal myths linking art and “madness”. For the Spectrum ArtWorks artists this issue has become even more complicated as we find ourselves having success as individual artists and as a group. Organizations ask us to display our art in order to reduce the stigma of mental illness by showing the amazing creative capabilities people with disabilities can have. We love that our art is in demand and we are all about reducing stigma, however we are artists first. We have always been artists. Discussions of identity come up a lot among artists living with mental illness. As artists living with mental illness, we, like other marginalized groups, have faced the challenge of defining our own identities in a world that is constantly labeling us. Often people without mental illness assume that we all identify strongly as such, and that this is the whole of who we are. They may assume that our art will always be about mental illness especially when we chose to display our work in a show as a group. But, in fact, there is great diversity in how artists with mental illness define themselves. Most of us have more than one thing that makes up our identity - disability, sexual orientation, race, religion, gender, and so on. Artists living with a mental illness have a whole range of ideas about the connections between having a mental illness and making art. Many people say that just being an artist living with a mental illness is a very political position to be in. Of course, not all artists with a mental illness feel compelled to express any social or political ideas in their art. It’s almost impossible for a person with a mental illness not to develop some degree of political consciousness. So it may only be a question, for artists with mental illness, of how much that consciousness is separated from - or connected to - their art. At the Spectrum ArtWorks Studio, in our efforts to reduce the stigma of mental illness through various arts programming and activities we started to become more aware of the history of mental illness, of the disability rights movement and our connection/lack of connection to it and because we are artists, because we came together through our shared experience as artists living with a mental illness, we saw art as a the thread that wove these histories together. In preparation for our timeline we have explored: Treatment: Beginning in prehistoric times with the trepanation (drilling a hole in the head of the afflicted to allow the spirits to escape) to mass institutionalization, to mass unprepared release of institutionalized individuals, the drugs used, their side effects (often thought to be standard symptoms of severe mental illness) and finally to some of the amazing and very recent advancements in medication for the most severe of symptoms. Side effects of these new medications (average 60 pound weight gain on some), issues of availability and access (both to the drugs and to professionals who can prescribe them) and the lack of research funding compared to other diseases with comparable societal impact. Disability Rights Movement: It wasn’t until 1973 that the Rehabilitation Act is passed (with Congress overriding a Nixon veto) that prohibits discrimination in federal programs of people with disabilities. However as early as 1850 deaf people were organizing to advocate for their interests. There is a rich history of people with different disabilities that have banded together to demand their full rights. Where do people living with mental illness fit into the disability rights movement? Why did rights protection and advocacy services for the mentally ill not become a part of federal law until 1985? Where are we at in terms of equal rights and protections? Art: Art and Mental illness. Are they linked? The Spectrum ArtWorks artists, individually and as a group unequivocally deny, and are offended by, the idea that their disease (mental illness) should take any credit for their talents. However, it is equally understood and accepted that art and the process of art-making is a powerful healing tool that has helped many (mentally ill and not, artists and nonartists alike) get through difficult times. Exploring the common experience of having been exposed to “art therepy” or “occupation therapy” as part of a treatment program has been been a bonding experience for Spectrum ArtWorks artists. It has also been a springboard for conversation about art and healing, about patient rights, full socital integration, infantilization of adults with mental disabilities, the effectiveness of treatment and hospitalization and what it means to be an artist living with a mental illness. AmeyAmey has had her art featured in several shows at Outsiders and Others Gallery. She is one of six artists to have received a 2005 Minnesota Artist Recognition Grant from the Minnesota VSA. Amey believes that art teaches what color the day will hold...it apprises that even an anxious clinically depressive moment can prove bold. Aria**25 is her project saving her from Susie*cide where Life imitates art and the last 2.5 years of written work got lost in a computer crash but the art and the hope glow on. Audrey Bernard"I moved to the United States from Jamaica in 1996 to find work. I was hoping for a better quality of life for my family. I worked as a nursing assistant and in childcare, taking much pride in caring for America’s most vulnerable assets, children and elderly. I worked hard. Twelve, sixteen-hour days, two jobs at once. I sent most of the money back to my five children still in Jamaica. I imagined I would get a better education, maybe even buy a house, you know, the American dream. Andrew BraunbergerAndrew Braunberger graduated in Arts and Sciences with a BA from the University of North Dakota in '93 with an emphasis in painting. "Popping" and receding planes of color to translate form is the central investigation of Andrew's work. He leaves lines and "unfinished" value changes to allow the viewer to add the finishing touches. The subject matter is chosen to capture a moment in an untold story. Andrew states that it is the choices that generate the appearance of something going on with the figures and their fictions, the happy accident, which he enjoys most about his creating. Andrew has shown his work in Twin Cities galleries including Altered Esthetics, and Outsiders and Others Gallery. He maintains a studio in the California Building in the North East Arts District in Minneapolis. Faye Buffington HowellFaye Buffington Howell has been making art her entire life. Much of her work is representational using methods of allegory and metaphor. Using a variety of mediums she expresses in color and rhythm her world and her interpretation of the human condition. Cornelius DayCornelius Day holds a bachelor's degree in fine arts with a concentration in drawing, painting and printmaking from Iowa State University and a Masters of Arts and Teaching from the University of St. Thomas. Cornelius's artwork attempts to communicate complexities of relationships, how they change and how they stay the same; the metamorphosis of everyday relationships and everyday lives. Christi FurnasCombining surrealism and abstraction, Christi Furnas is not restricted to one style. She paints in a classic figurative style, draws, and paints large playful oil portraits. Furnas enjoys work of artists who "are serious about maintaining a sense of humor." Christi Furnas' art is currently featured at The Art Major and at Outsiders and Others Gallery. She received third place in the Sister Kinney International Art Show for Artists with Disabilities this past spring. She has shown exclusively and with others at several local coffee shops and salons. Her art education includes time spent at the Atelier studying classical oil painting and graphic design at The Art Institute International of Minnesota. Ernie GrossbachErnie Grossbach is a 58-year-old man living in the Minneapolis area blessed with 3-1/2 years free from active addiction to drugs and alcohol. He has seen his artistic ability progress remarkably with his recovery. His work was featured in the Outsider Center's "Homeless Awareness Art Show" at The Mall of America. He placed at The Sister Kinney International Institute of Artists with Disabilities this year and his solo show " Icons" at the Dunn Brothers Coffee Freight House location received positive press. Grossbach's unique style of portraiture captures the personality of each Icon in a way that reminds the viewer why they were and are revered Americans. There is a sense of familiarity in these portraits; it's as if Grossbach were painting not the very famous, but close personal friends. Lynnda JonesLynnda Jones has been creating art her entire life. She has shown her work at Outsiders and Others Gallery and Stevens Square Center for the Arts. She won the jurors choice award in the 2005 Sister Kinney International Art Show of Artists with Disabilities, she was a featured artist in the Homeless Awareness art show at the Mall of America and sold pieces from this exhibit to the permanent collections of The Outsider Center and The University of St. Thomas. Lynnda's collage and mixed media have received a lot of positive media attention including being mentioned by name in the Twin Cities weekly A-List, a Pioneer Press show review, a full-length article in the Women's Press, and a KFAI interview. Jude MostekJude Mostek has been making art since childhood. The enjoyment of the creative experience is what fuels his work. Jude works in clay, in oil, acrylics and enjoys journaling. His mood dictates his medium. Jude states his mental health symptoms are lessened when he is creating. Brad ParsonsBrad Parsons has had an interest in the arts his entire life. Brad had many artistic influences in his large extended family, particularly from his older brother, Jim. Brad grew up in Yuma, CO, and attended art classes in high school, but beyond that has no formal art training. In his art, Brad tries to show the overlooked beauty in everyday objects and in life itself. While Brad finds using a #2 pencil on paper to be most gratifying, he is accomplished in many media. Brad was a featured artist in The Homeless Awareness Show at the Mall of America put on by The Outsider Center, in various group shows in the Twin Cities, and in a New York City labor-themed show this past spring. RosemaryRosemary, an artist, a grandmother, and a fashion diva, grew up in another time; a time where admitting one's mental health diagnosis could mean a ticket to the state hospital, loss of employment, or worse. This is why she choose to only use her first name when her portrait work was featured in "1 in 4" the annual mental health show at Outsiders and Others Gallery this May. Rosemary, while proud and supportive of artists she knows that live with a mental illness and are willing to display their artwork to change public perceptions, still lives with the fear of what she has seen happen when one discloses a mental health problem. The Spectrum ArtWorks artists support Rosemary in her decision to withhold her last name; it helps us all to remember we've still a long ways to go in the fight against stigma. Rosemary's current body of work is bold and colorful portraits in acrylics and as block prints of her 8 grandchildren. Kathy ShaferKathy Shafer, like Grandma Moses, came to art later in life. Members of her immediate family have been professional artists but Kathy didn't discover her own talents until her involvement at Spectrum. Kathy has traveled extensively and her loves of culture and gourmet food show in her colorful acrylic and mixed media paintings. She received an award at the 2005 Sister Kinney International Art Show for Artists with Disabilities and is currently focusing on a series of commissioned paintings of seasonal gardening scenes. |